how often has this happened to you?
Well, thanks to modern quilting, this no longer means reverse sewing. This is a modern disappearing 9-patch!
Just slice it into quarters and voila!
You’ll get this ….
then comes the fun part, where you get to play around and come up with all kinds of designs!
And yes, I do realize that eight blocks do not a quilt top make but these are for a Modern Quilt Guild block of the month drawing next month.
All from the simple recipe of five white squares plus two different colour prints in each of two colours, for a total of nine five-inch squares.
Really the one time where you might choose to take a seam ripper to it would be if you places four white squares like a four-patch, because then you’d end up with a seven-inch square of white fabric with seams across it, and why would you want to do that?
This is a fast way to make Andrea Balosky‘s Odd Couple blocks. I know I have her book Transitions: Unlocking the Creative Quilter Within, and I have read and re-read it many times, but right now it’s nowhere to be found, alas!
You can see my first disappearing 9-patch here, which also has a link to a handy YouTube tutorial on how to make it turn out the way you want it to!
I have to wonder whether someone sat down and cudgeled their brains to think up a new block, or whether it was a frustrated quilter who just. didn’t. have. the. energy. to. rip. one. more. seam.
What do you think?
Here’s a close up showing the quilting on this one, which is technically the best quilting I feel I’ve done, just meandering lines in a grid, using Valdani Withered Blue on top and their Brick (I think it is) in the bobbin.
And to the right, the whole quilt.
What was fun with this was that I didn’t buy any fabric, just found stuff in my existing stash that played together nicely.
Following Joan Ford’s advice in Cut the Scraps! was a big help as all the squares were cut to five inches. The paisley and the pale blue feathers were yardage which I cut, the others were from scraps I’d already cut down. It was fast and fun to pore through the clamshell I keep them in and pull out the dark blue, red, peacock feathers and the deep red paisley and then just sit and sew.
The Missouri Star Quilt Company YouTube tutorial on disappearing nine-patch
was a terrific quick primer that saved me from making any design mistakes. You put the focus fabrics in the four corners of the nine-patch, the middle fabric will be sliced into four little squares, and the fabrics in the middle of each outside appear like sashing, which is why I stuck to the blue feathers so there would be some consistency to the design.
When the quilt was started, no one knew whether the baby would be a boy or a girl. Here in British Columbia you can only find out by paying extra for a special test. Anyway the not knowing meant I needed to choose colours that were not gender specific, which I think I achieved. In the end it was a boy, but this would also be suitable for a girl too.
This is a process shot of a disappearing nine patch quilt while it was on my design wall. Other bits and pieces are peeking out from the sides, this was just right on top of everything.
It’s now assembled and in the process of being quilted.
The Missouri Quilter YouTube video I watched was great as it clearly explained what to expect and how to decide what fabric goes where. That was how I picked the light blue feathery print for the four pieces in the middle of each outside, so they would become sashing. I put my focus fabrics in the four corners and the centre fabric was consistently either dark blue or the rust fossil fern print.
There’s many ways to put disappearing nine patch together but for this first attempt I decided to follow the advice given and ensure that I wasn’t trying to match a whole lot of inside seams. Just matching the seams on the blocks was quite enough of a challenge, thank you. The design wall was a blessing as the blocks stayed up for over a week while I rearranged them to not have any matched focus fabrics touching each other. Doing that probably took longer than it took to do the actual sewing of the top. You can tell this was still in design because there a several places where focus fabs were touching.
Point of Pride: Everything came from my stash, no shopping was involved!