Challenge Process 4, Previewing Possibilities

PHOTO(4)_crop

If the sky were deeper it might look more like the big skies of the southwestern desert.

Of course there is a maximum size of 24 inches for both height and width so adding sky (how much) means chopping down below by at least an equal amount.

Trying to make sure I`m happy with the end result, that it will seem to be in proportion and say what I want it to say.

This is just an audition.  If I go this route I will be dyeing some yummy cotton-linen fabric from Satin Moon Quilted Garden which I used in the strata just above the black fabric with the dots.  There`s still time to think about this, especially in light of the fact that I should build up my supplies of ice before doing any more dyeing.

(written May 14)

Challenge piece – still trying to find my way

PHOTO(3)_crop

 

Here is the piece as it is today (written May 14)

I succeeded in doing curved piecing so both shores of the river undulate.

But I`m not satisfied with this as it stands.  It doesn`t convey the impression I want it to and actually conveys an unintended impression of something quite different.

This may mean starting over working in a series!  Working in a series!

and will almost certainly involve more ice dyeing.  A tough job, but someone`s gotta do it, right!

Wild, Wild West Challenge #2

Just to reflect that just as you have to break eggs to make an omelette, in surface design sometimes gorgeous results have to be hidden forever.  This is the back of the ice-dyed strata, about to disappear in the middle of a quilt sandwich …

foundation backEasier to bear because of the fabric I dyed in the same bath intended for the binding, which looks even better!  And won’t be used for binding.

Wild, Wild West Challenge #1

Strata after ice dyeing

Strata after ice dyeing

To make the challenge piece I was inspired to make an impression of the Grand Canyon by making strata in a variety of fabrics including upholstery samples.

I scoured them by washing in Synthrapol to remove the Scotchguard or Teflon treatment, then piece strips onto a muslin foundation.

The work was soaked in soda ash solution then taken out of the solution and placed in the bottom of a rectangular bucket, slightly scrunched.

A LARGE bag of ice was dumped over the top.  Then several different colours of procion dye were sprinkled onto the ice.

Here’s how the strata looked after it came out of the dye bath after 12 hours of soaking.  There was still a little ice floating on top of the melted water but I wanted to get on and knew it would take a long time to dry because of the heavier fabrics in the work.

New Experimental Wall Hanging in Progress

This piece was started on the last afternoon of Ana Buzzalino’s workshop while our main projects were soaking in the dye.

The bright turquoise is pure polyester that will not be affected by procion dyes.

Everything else is 100% cotton except for the centre Chinese print and the purple, which are both poly-cotton blends, and some of the neutral pieces around the borders, which are upholstery samples.

photo(7)

Scouring:

I’m in the habit of prewashing all quilting fabrics other than pre-cut jelly rolls and charm packs and the like.  That said, I wash my stash with regular detergent.

Scouring means using Synthrapol to really remove all dressings and treatments and ready the fabric for surface design treatments.

In this piece I did wash the upholstery samples in Synthrapol, and the muslin I’m dyeing for the binding was also scoured when I bought it, since it was intended for dyeing.

Prediction:

That the printed cottons (pink with Chinese characters and the purple and pink dots around the border) will take up less of the dye than the other fabrics.

That the upholstery fabrics will retain more of the dye than the piece used in my other workshop project, which glowed when it came out of the dye and then mostly rinsed off.

Quilting:

Purple polyester serger thread, which will retain its current colour and contrast with the dyed finished wall hanging.

I’m new to free motion quilting, not that I need to say that to anyone who knows about FMQ!  But you have to start somewhere and since this is a very experimental piece I figured it was a good place to start.  I used the approach explained by Elizabeth Hagh of the Modern Quilt Guild and found it was much faster than quilting with a walking foot.  Maybe this will inspire me to persist and tackle larger pieces, of which I have several almost ready to be quilted.  I bought 5.4 metres of Warm & Natural the other day based on current projects, so that’s an added incentive.  The batting was 50% off so to me this was a rational decision …

Backing:

Blue with a large white hibiscus print.  Since this will be dyed purple I wanted a simple backing in a primary colour, and was limited to finding something large enough that I wouldn’t have to piece it before starting the quilting.

AnaBuzz006

More Ice Dyeing

I’m making an art quilt for a challenge so until the challenge is over a month from now not much will be revealed.  However I am documenting the process and after the big reveal will post.

The piece is ice dyed among other techniques and here is a piece of fabric that will NOT be part of the challenge piece although that was my original plan.

They say insanity is doing the same thing and expecting different results.  Hmmm.  Well I didn’t do EXACTLY the same thing, because in this ice dyeing session I presoaked the fabric in soda ash solution, then squeezed it out and kept the leftover solution for future use.  The main piece of work was laid in the bottom of the pail and the muslin shown in this photo was on top.  Then everything was covered with ice cubes and procion dye powder was sprinkled over the top.

What WAS the same, you ask?  Again, I had thoughts of dyeing muslin to use for binding, but I find I’ve created something too cool to cut.  I will find a use for it but it will for sure not be binding!

 

Any and all suggestions for what to do with this are more than welcome.  It’s about fat quarter size and this is a scan of some of it.

 

AnaBuzz004

 

Ana Buzzalino Workshop

Our quilt guild was recently blessed by a presentation followed by a two-day workshop from Ana Buzzalino of Calgary.

We pieced directly onto a quilt sandwich (backing, batting and muslin foundation) using cotton, poly cotton, and other fabrics that take fiber-reactive dye.  I.e. no wool and no pure polyester.

Ana is an absolutely inspirational teacher and although my machine was not behaving terribly well I felt brave enough to attempt free motion quilting and curved piecing.

In fact, as often happens in life, the challenge with the machine led to a serendipitous find.  I left the workshop to drive straight to Sawyers where Denise identified and fixed no less than three issues, so no wonder I was frustrated!  Anyhoo, they had a table full of polyester serger thread in all colours.  The polyester doesn’t reach with the Procion dye so you can choose the best colour for each project.  Before the workshop I had been somewhat challenged to find even white polyester thread.

Having finished a piece in the course of the workshop I left buzzing with ideas of other things to try.  Ana’s supply list was to bring suitable mixed fabrics in light and neutral colours, all of which pick up the dye a little differently.

For the second project which we began as our quilted projects were steeping in the dye bath, Ana gave us some pure polyester turquoise fabric (think bridesmaid dress!) and some lilac poly cotton.  I’m still working on that, because I added in a bunch of black and white prints and it’s grown and grown.

I decided to make a small experimental piece and ice dye it so instead of it being one colour all over you would get a marbled/mottled effect.  So I used some of the turquoise and lilac, plus other black and white fabric, and an upholstery sample which I prewashed with Synthrapol to remove the Scotchguard treatment.  Ana is big on using fabric with writing on it, which is another thing I enjoy working with, so I used two fabrics with Chinese script on it.  The dark purple one in the photo started out neutral; the lighter one with the larger characters started out hot pink.  I think this must have made the fabric less able to pick up other dyes.

So  the front is the last photo, quilted with fuchsia polyester which stayed the same colour.

And the back was a cool bicycle print!AnaBuzz002

At the workshop Ana reminded up to throw some plain muslin into our dye bath so we’d have the exact right shade of binding.  I placed a piece under the quilted piece, covered everything with ice, and sprinkled the powdered procion dye over the top of everything (navy, fuchsia and grape).

However much as I love what happened with the intended binding piece it’s too light to work as binding. (see photo, which is navy and white basically).AnaBuzz003

Fortunately I have a dark purple fabric with YET MORE Chinese script!  Which will be the binding.  Lesson learned, next time I’ll put the binding over the top of the quilted piece so it’ll hopefully be nice and dark yet the piece will still look good.

AnaBuzz001